arranged and edited for string orchestra by Marc Linwood
PEACE ON THE EARTH
Christmas Anthem, Op. 38
Amy Beach Catalogue number: 004CC070123AA
Originally for SATB chorus and organ, Amy Beach’s PEACE ON THE EARTH: Christmas Anthem, Op. 38 is a Brahmsian setting of familiar Christmas texts by E.H. Sears. The accompaniment has been orchestrated for a small orchestra of woodwinds, horns, timpani, organ (optional), and strings. The orchestration may also be performed with strings only.
Mathilde Bilbro arranged and edited by Marc Linwood Catalogue number: 006CY012123A
Eight short, easy pieces with poems, suitable for performance at Halloween, arranged for string orchestra. The poems that accompany each movement may be recited (by a student, teacher, guest speaker, etc.) prior to each movement or during each movement, with the music serving as underscore to the poem. Alternatively, the poems my simply be included in a printed program to describe each movement.
A collection of music to accompany silent film scenes
Gaston Borch compiled, arranged, and edited by W.C. Rohl Catalogue number: 013CH052424A FULL ORCHESTRA
A collection of five pieces for orchestra by French composer, Gaston Borch (1871-1926) written to accompany creepy, suspenseful, mysterious, and supernatural scenes for silent films. A prolific composer, cellist, conductor, and arranger, Borch moved to the United States in the early 1900s where he significantly contributed to the American musical landscape. He became particularly known for his work in the burgeoning field of silent film music, composing scores that enhanced the emotional impact of films. Borch’s music was characterized by its melodic richness and dramatic expressiveness, which made it ideal for the cinema. His ability to craft music that perfectly matched the narrative and emotional arcs of films made him a sought-after composer in the industry. The entire collection — or any number of the individual selections — would make an ideal addition to any Halloween-themed program. Score and parts.
A collection of music to accompany silent film scenes
Gaston Borch compiled, arranged, and edited by W.C. Rohl Catalogue number: 006CH060824A STRING ORCHESTRA
A collection of five pieces for orchestra by French composer, Gaston Borch (1871-1926) written to accompany creepy, suspenseful, mysterious, and supernatural scenes for silent films. A prolific composer, cellist, conductor, and arranger, Borch moved to the United States in the early 1900s where he significantly contributed to the American musical landscape. He became particularly known for his work in the burgeoning field of silent film music, composing scores that enhanced the emotional impact of films. Borch’s music was characterized by its melodic richness and dramatic expressiveness, which made it ideal for the cinema. His ability to craft music that perfectly matched the narrative and emotional arcs of films made him a sought-after composer in the industry. The entire collection — or any number of the individual selections — would make an ideal addition to any Halloween-themed program. Score and parts.
Sir Frederic Cowen arranged and edited by W.C. Rohl Catalogue number: 006CX101523A
Originally for solo piano, Frederic Cowen’s THE MONTHS is a collection of 12 pieces, each dedicated to a specific month of the year and is intended to evoke the unique characteristics and atmosphere associated with that time of the year. The final movement, “DECEMBER. Christmas Morn.” captures the frosty and tranquil atmosphere of a Christmas morning, evoking a delicate, serene snowfall.
Arthur Foote arranged and edited by Kenneth Atkins Catalogue number: 006CX080523A
Originally for organ, Arthur Foote’s “Christmas” utilizes rich harmonies, majestic melodies, and intricate textures to convey a sense of warmth and grandeur. Foote's composition skillfully blends traditional Christmas themes “Listen, Lordlings Unto Me,” “What Child Is This?,” and “The First Nowell” with his own creative interpretation, resulting in a piece that is both evocative and uplifting.
Engelbert Humperdinck transcribed and edited by Marc Linwood Catalogue number: 006CX100823A
Best known for his opera Hansel and Gretel, composer Engelbert Humperdinck compiled this set of 10 classic German carols to accompany the publication of “Deutsche Weihnacht” by Adelheid Wette, a poem about a man ringing a church’s bells for Christmas. Each carol is arranged by Humperdinck in simple hymn-like settings and have been transcribed for string orchestra.
NATALE! NATALE! (Christmas! Christmas!) from Six Little Pieces
Ottorino Respighi arranged and edited by Kenneth Atkins Catalogue number: 006CC031223AA
Italian composer, Ottorino Respighi was known for his skill in capturing the atmosphere and mood of various scenes and landscapes. “Natale! Natale!” (“Christmas! Christmas!”) evokes a sense of festive cheer and celebration, capturing a sense of nostalgia, joy, and festivity. Included are musical elements that bring to mind scenes of Italian Christmas festivities, the ringing of bells, and the excitement of gift-giving. Originally written for piano duet. Arranged for string orchestra.
Arnoldo Sartorio transcribed and edited by Marc Linwood Catalogue number: 006XY102023A YOUNG MUSICIAN SERIES
A collection of 16 popular German Christmas carols in easy arrangements for string quartet, suitable for public performance, holiday gatherings, and worship services. Titles include: “Silent Night,” “Lo, How a Rose e’er Blooming,” “Shepherds, Awake,” “Come, Little Children,” “Oh, Christmas Tree,” and more.
from SUITE FANTASTIQUE IN E MINOR “The Legend of Sleepy Hollow” Fidelis Zitterbart Catalogue number: 006CH051124A arranged and edited by Marc Linwood
American composer, Fidelis Zitterbart’s Suite Fantastique in E Minor: The Legend of Sleepy Hollow, inspired by Washington Irving’s short story, was originally composed for a chamber ensemble of two violins, viola, flute, and piano. The final movement of the work, “The Headless Rider,” depicts the spectral figure who roams the night on horseback, searching for something lost and seeking revenge. The music conveys a sense of urgency and intensity, as if the Headless Rider is on a relentless quest through the darkness. This arrangement for string orchestra features a driving ostinato figure by the violas, making it an ideal selection for an orchestra with a strong viola section for a Halloween-themed concert.
