Tromboverture is celebration of the trombone choir. Beginning with a lively and joyous motif, it dances among the players. Transitioning to the middle segment, a grand melody emerges, evoking strength and confidence. The concluding section merges the earlier themes, culminating in a vibrant and triumphant finale!
Oskar Böhme’s “Prelude and Fugue, Op. 28, No. 1” for is a captivating piece that showcases the virtuosity and unique timbral qualities of these brass instruments. The composition is divided into two distinct sections: the Prelude and the Fugue. The Prelude, in C minor, features melodic lines intertwined among the trumpet, horn, and baritone, creating a rich tapestry of harmonies and textures. The Fugue displays intricate interplay among the instruments, showcasing their individual characteristics while harmonizing together to create a cohesive and intricate musical fabric. Scored for Trumpet (B♭), Horn (E♭), and Euphonium (C). Set includes parts for Horn in F and Baritone in B♭.
In Ave Maria, Fitzenhagen skillfully adapts the melody of the prayer for the cello ensemble, allowing each cello to express different facets of the music. The four cellos blend harmoniously to create a rich and sonorous texture, which is well-suited to the devotional nature of the prayer. Fitzenhagen's arrangement is known for its lyrical and expressive qualities, which allow the performers to convey a deep sense of reverence and spirituality.
“Variations on a Jewish Folk Theme, Op. 24” is a compelling and expressive work for string quartet by Russian Jewish composer and teacher, Mikhail Gnessin. Completed in 1917, this piece showcases Gnessin's mastery in incorporating Jewish folk elements into classical music.
The work is structured around a central Jewish folk melody, which serves as the foundation for a series of variations. Each variation explores different musical elements such as rhythm, harmony, and instrumentation while maintaining the essence of the original theme. Gnessin skillfully weaves intricate and emotive melodies, allowing the listener to experience the rich cultural heritage of Jewish music within a classical framework.
VIOLIN, VIOLA, and CELLO
Swan Hennessy, an Irish-American composer born in 1866 and spent much of his life in France, was heavily influenced by his Celtic heritage. His Petit Trio Celtique, Op. 52 incorporates lively and spirited melodies that evoke the traditional music of Ireland, accompanied by rich harmonies and rhythmic patterns reminiscent of Celtic folk dances like jigs and reels. As the work's title suggests, Petit Trio Celtique has a more intimate and less formal character compared to larger chamber compositions. Despite its smaller scale, the piece is often praised for its charm, elegance, and the skillful integration of Celtic motifs into the classical chamber music idiom.
A collection of 16 popular German Christmas carols in easy arrangements for string quartet, suitable for public performance, holiday gatherings, and worship services. Titles include: “Silent Night,” “Lo, How a Rose e’er Blooming,” “Shepherds, Awake,” “Come, Little Children,” “Oh, Christmas Tree,” and more.
A set of three easy pieces, originally for piano duet for the Christmas season, arranged for string orchestra.
Ole Olsen (1850–1927) was a prominent figure in Norwegian music during the late 19th and early 20th centuries. His “Serenade for Clarinet and String Orchestra” showcases his melodic craftsmanship and skillful orchestration. The composition follows the traditional structure of a light and often romantic piece, evoking a pleasant, serene atmosphere. The inclusion of the clarinet as a solo instrument adds a distinctive character to the piece, allowing for expressive and lyrical passages. A version for Clarinet and Piano (piano reduction by the composer) is also available from the publisher (catalog number 007CC121123B).
Ole Olsen (1850–1927) was a prominent figure in Norwegian music during the late 19th and early 20th centuries. His “Serenade for Clarinet and String Orchestra” showcases his melodic craftsmanship and skillful orchestration. The composition follows the traditional structure of a light and often romantic piece, evoking a pleasant, serene atmosphere. The inclusion of the clarinet as a solo instrument adds a distinctive character to the piece, allowing for expressive and lyrical passages. The original version for Clarinet and String Orchestra is also available from the publisher (catalog number 007CC121123A).