Commissioned by Meet The Composer-Louisville Residency for the 1996 Jefferson County (KY) All-County Orchestra festival.
As the title implies, "Frolic for Young String Orchestra" is a playful and lively work, approximately three minutes in length, meant to convey a spirited sense of delight and merriment associated with happiness, laughter, and freedom. Each section is given melodic elements throughout the piece.
A suite of six evocative pieces by American composer, Amy Beach. Originally for piano duet, arranged for string orchestra.
The following movements are also published separately:
The final movement from SUMMER DREAMS, a suite of six evocative pieces by American composer, Amy Beach. Originally for piano duet, arranged for string orchestra.
The third movement from SUMMER DREAMS, a suite of six evocative pieces by American composer, Amy Beach. Originally for piano duet, arranged for string orchestra.
Eight short, easy pieces with poems, suitable for performance at Halloween, arranged for string orchestra. The poems that accompany each movement may be recited (by a student, teacher, guest speaker, etc.) prior to each movement or during each movement, with the music serving as underscore to the poem. Alternatively, the poems my simply be included in a printed program to describe each movement.
Originally written for organ, this somewhat solemn, brooding fugue by one of the giants of the Romantic era is set for string orchestra in a medium-easy arrangement.
Originally written for organ, “Canzonetta” is a charming and melodic piece composed by George Whitefield Chadwick, an American composer from the late 19th to early 20th century. As a leading figure in American music, Chadwick’s works often reflect a blend of European Romanticism with American musical elements.
A three-movement work for originally composed for organ by American composer, Joseph Clokey in 1924. The piece is inspired by the natural beauty of the mountains, and each movement captures a different aspect of that beauty. Overall, Mountain Sketches is a vivid and evocative musical portrait of the majestic natural beauty of the mountains, capturing their awe-inspiring grandeur, peaceful serenity, and rugged intensity.
Originally for solo piano, Frederic Cowen’s THE MONTHS is a collection of 12 pieces, each dedicated to a specific month of the year and is intended to evoke the unique characteristics and atmosphere associated with that time of the year. The final movement, “DECEMBER. Christmas Morn.” captures the frosty and tranquil atmosphere of a Christmas morning, evoking a delicate, serene snowfall.
Originally written for organ by the Beglian-American composer, Gaston Detheir, “Prélude sur le Dies Irae” is a meditation on the “Dies iræ” motive from the Gregorian plainchant typically found in a Requiem mass. Marked “Andante tristamente” (moderately slow, sad), Dethier's setting is a hauntingly mournful yet serene and beautiful treatment of the traditional “Diea iræ” theme.
Originally for piano duet, Fauré’s Dolly Suite is a charming and lyrical work, full of delicate melodies and harmonies.
“Le pas espagnol” from Gabriel Fauré’s DOLLY SUITE is a vivacious and spirited Spanish dance that serves as the suite’s grand finale. Infused with the fiery rhythms and distinctive melodies of Spanish music, this movement bursts forth with a lively and exuberant character. Fauré's mastery of color and atmosphere shines through in this movement.
Gabriel Fauré’s “Pelléas et Mélisande,” Op. 80, is a suite of incidental music composed in 1898 for Maurice Maeterlinck’s play of the same name. Fauré’s composition is renowned for its delicate and evocative portrayal of the mysterious and tragic atmosphere of Maeterlinck’s symbolist drama.
Gabriel Fauré’s “Pelléas et Mélisande,” Op. 80, is a suite of incidental music composed in 1898 for Maurice Maeterlinck’s play of the same name. Fauré’s composition is renowned for its delicate and evocative portrayal of the mysterious and tragic atmosphere of Maeterlinck’s symbolist drama. The Prélude sets the mood for the entire piece, creatiing and otherworldly atmosphere and introducing listeners to the ethereal and melancholic world of Pelléas et Mélisande.
Originally for organ, Arthur Foote’s “Christmas” utilizes rich harmonies, majestic melodies, and intricate textures to convey a sense of warmth and grandeur. Foote's composition skillfully blends traditional Christmas themes “Listen, Lordlings Unto Me,” “What Child Is This?,” and “The First Nowell” with his own creative interpretation, resulting in a piece that is both evocative and uplifting.
Best known for his opera Hansel and Gretel, composer Engelbert Humperdinck compiled this set of 10 classic German carols to accompany the publication of “Deutsche Weihnacht” by Adelheid Wette, a poem about a man ringing a church’s bells for Christmas. Each carol is arranged by Humperdinck in simple hymn-like settings and have been transcribed for string orchestra.
A brief but beautiful, lyric, single-movement work by Robert Kajanus, a Finnish composer, conductor, and friend and interpreter of Jean Sibelius.
Six easy pieces by English composer E. Markham Lee inspired by the classic novel, “Alice's Advertures in Wonderland” by Lewis Carroll, arranged for string orchestra.
A charming, five-movement work for string orchestra by the Norwegian composer Ole Olsen, written in 1898 and first performed in Oslo in 1899. The movements are well-crafted and full of Norwegian folk influences, with moods ranging from serene to playful to dark and brooding to humorous and lively.
Ole Olsen (1850–1927) was a prominent figure in Norwegian music during the late 19th and early 20th centuries. His “Serenade for Clarinet and String Orchestra” showcases his melodic craftsmanship and skillful orchestration. The composition follows the traditional structure of a light and often romantic piece, evoking a pleasant, serene atmosphere. The inclusion of the clarinet as a solo instrument adds a distinctive character to the piece, allowing for expressive and lyrical passages. A version for Clarinet and Piano (piano reduction by the composer) is also available from the publisher (catalog number 007CC121123B).
Italian composer, Ottorino Respighi was known for his skill in capturing the atmosphere and mood of various scenes and landscapes. “Natale! Natale!” (“Christmas! Christmas!”) evokes a sense of festive cheer and celebration, capturing a sense of nostalgia, joy, and festivity. Included are musical elements that bring to mind scenes of Italian Christmas festivities, the ringing of bells, and the excitement of gift-giving. Originally written for piano duet. Arranged for string orchestra.
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Originally written for piano duet by one of the leading Italian composers of the early 20th century — most famous for his three lavishly-orchestrated tone poems, Fountains of Rome, Pines of Rome, and Roman Festivals — these six little pieces are arranged here for string orchestra.
Originally written for string quartet, this lively fugue by Mozart’s rival (if the stories are to be believed) has been arranged and edited for string orchestra.
American composer, Fidelis Zitterbart’s Suite Fantastique in E Minor: The Legend of Sleepy Hollow, inspired by Washington Irving’s short story, was originally composed for a chamber ensemble of two violins, viola, flute, and piano. The final movement of the work, “The Headless Rider,” depicts the spectral figure who roams the night on horseback, searching for something lost and seeking revenge. The music conveys a sense of urgency and intensity, as if the Headless Rider is on a relentless quest through the darkness. This arrangement for string orchestra features a driving ostinato figure by the violas, making it an ideal selection for an orchestra with a strong viola section for a Halloween-themed concert.
A collection of short folk songs from Ukraine in two volumes, beautifully set with lush, Romantic harmonies by composer, Vasily Zolotarev. Arranged for string orchestra.
A collection of short folk songs from Ukraine in two volumes, beautifully set with lush, Romantic harmonies by composer, Vasily Zolotarev. Arranged for string orchestra.
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